Tag Archives: Samantha Irby

Guts & Glory

Storytelling that is free, badass, true-to-life, and still somehow manages to benefit puppies and kids, at PAWS Chicago and 826CHI, respectively. Billed as “Live Lit for the Lionhearted,” the series promises to “strike at the heart of the human condition through story.” Hosted by Bitches Gotta Eat blogger Samantha Irby and Essay Fiesta founder Keith Ecker. Schubas | 3159 N Southport Ave | FREE | 21+ | 7pm every third Wednesday of the month | Website

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Guts & Glory: An Intro to Live Lit
by Julia Fine

Sam and Keith

PHOTO COURTESY OF SAMANTHA IRBY AND KEITH ECKER

On Wednesday night, between raucous mid-June thunderstorms, I ventured to Schuba’s Tavern for Guts & Glory, my first Live Lit experience. Now, I know that I am way late to the club—Guts & Glory’s Facebook page has over 800 followers, and when I spoke with co-founder Keith Ecker, he marveled at how quickly this Chicago community has grown. Two years ago, Guts & Glory was just a gleam in Ecker and co-founder Samantha Irby’s eyes—now, the June Edition is filling the upstairs room at Schuba’s (a room I’d like to dub the SXSW Roundup Room, given the impressive collection of said posters on its walls), and they’ll be celebrating a two-year anniversary in September. Continue reading

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Performing Stories, Rather Than Just Reading Them
by Alba Machado

Page and StageA lot of people who know how to write a good story don’t know how to tell a good story. If you are Toni Morrison or José Saramago, then sure, there’s a good chance your audience will hang on your every word no matter how lifeless your delivery may be, its adoration assured by your tremendous body of Nobel prize-winning work. But if you are a relatively unknown writer taking to the stage in search of a wider readership, your words alone will not be enough. Minds will wander. Smiles will be empty. Applause will be merely polite. After all, when you are reading to an audience that is physically present, you are reading with your entire body—your posture, movement, gesture, facial expression, eye contact, tone of voice, inflection—and if you are just standing there and dictating lines from a page, then on some level you are conveying boredom and lack of conviction. You are saying, “I don’t care about this. Maybe you shouldn’t care, either.”

This Sunday, June 8th, at the 30th annual Printers Row Lit Fest, you can walk from one tent where an author is reading to another tent where an author is performing and you can easily gauge each audience’s level of engagement. There’s no contest. At the former, there is silence and stillness, maybe an occasional nod. At the latter, there is gasping and laughter, cheering and chills. And at the RedEye tent, you can start to discover why. That’s where The Encyclopedia Show’s Robbie Telfer, Story Club’s Dana Norris, and Guts & Glory’s Keith Ecker are talking to RedEye, Metromix, and WGN Radio’s Amy Guth in a panel discussion entitled “Page Meets Stage: How to Use Performance to Enhance Your Writing Career.”

“People who are at live lit are not there to see a specific writer,” says Telfer. “They’re not Joyce Carol Oates-ing it.”

Continue reading

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Life After the Creative Writing Program
by Alba Machado

Mason Johnson

So you’ve earned a degree in Fiction Writing from Columbia College Chicago. Now what? If you’re Mason Johnson, you start your own monthly reading series which presents writing on a theme of your choice. You call this series Piss Fanatics in honor of an inside joke, and perhaps to signal your predilection for bawdy talk. You arrange for your series to take place in a tavern called Moe’s, a place that’s no stranger to off-color language, a place with a pool table and a foosball table, two widescreen TVs and, during your second event, a large brown rottweiler. This demonstrates your belief that writing should not be confined to academic settings, or to cafes, theaters, libraries and bookstores. You make the theme of your second reading “Hair,” which is only natural, since your own hair seems to have taken on a life of its own, much like David Axelrod’s mustache (as revealed by Dan Sinker in his legendary Rahm Emanual Twitter saga). Also: certain types of hair can make for an awful lot of bawdy talk. Finally, you gather together a group of talented Chicago writers: Mairead Case, founding editor of Proximity Magazine; Mary Hamilton, winner of Rose Metal Press’ 4th Annual Short Short Chapbook Contest; Matt Rowan, editor-in-chief of Untoward Magazine; Samantha Irby, author of the Bitches Gotta Eat blog; Ian Dick Jones, co-host of Columbia College’s SilverTongue reading series; Mark Schettler, co-editor of the School of the Art Institute’s In Preparation magazine; and Dan Shapiro, Columbia College student.

All graduates of creative writing programs should be as industrious as you, Mason Johnson. But they should not all have manga/anime hair.

Related Blog Post
P. Fanatics Presents: Hair Reading Recap

EVENT: PISS FANATICS | THURSDAY, APRIL 21 AT 7:30PM | MOE’S TAVERN

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