Tag Archives: Dana Norris

The Way of the Overlord: 6 Steps to Hosting Live Lit the Write Club Way
by Alba Machado

Write Club

PHOTO BY EVAN HANOVER, April 15, 2014

Taking over the Hideout for the last show of the season, in an installment entitled “Violence, As It Turns Out, IS the Answer,” Write Club continues to set a high bar for all reading series in Chicago. Here’s how we can learn from its example. Continue reading

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South Side Story Club

A nonfiction storytelling show that aims to “mix the spontaneity of an open mic with the experience of live theater.” At every installment, featured readers and open mic performers are each given a microphone and eight minutes. Hosted by Dana Norris. There are TWO branches of Story Club in Chicago:

North Side Story Club | Holiday Club | 4000 N Sheridan Rd | $10 suggested donation | 21+ | 7:30pm every first Thursday of the month | Website

South Side Story Club | Co-Prosperity Sphere | 3219-21 S Morgan St | $10 suggested donation | All ages | 7:30pm every third Tuesday of the month | Website

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Performing Stories, Rather Than Just Reading Them
by Alba Machado

Page and StageA lot of people who know how to write a good story don’t know how to tell a good story. If you are Toni Morrison or José Saramago, then sure, there’s a good chance your audience will hang on your every word no matter how lifeless your delivery may be, its adoration assured by your tremendous body of Nobel prize-winning work. But if you are a relatively unknown writer taking to the stage in search of a wider readership, your words alone will not be enough. Minds will wander. Smiles will be empty. Applause will be merely polite. After all, when you are reading to an audience that is physically present, you are reading with your entire body—your posture, movement, gesture, facial expression, eye contact, tone of voice, inflection—and if you are just standing there and dictating lines from a page, then on some level you are conveying boredom and lack of conviction. You are saying, “I don’t care about this. Maybe you shouldn’t care, either.”

This Sunday, June 8th, at the 30th annual Printers Row Lit Fest, you can walk from one tent where an author is reading to another tent where an author is performing and you can easily gauge each audience’s level of engagement. There’s no contest. At the former, there is silence and stillness, maybe an occasional nod. At the latter, there is gasping and laughter, cheering and chills. And at the RedEye tent, you can start to discover why. That’s where The Encyclopedia Show’s Robbie Telfer, Story Club’s Dana Norris, and Guts & Glory’s Keith Ecker are talking to RedEye, Metromix, and WGN Radio’s Amy Guth in a panel discussion entitled “Page Meets Stage: How to Use Performance to Enhance Your Writing Career.”

“People who are at live lit are not there to see a specific writer,” says Telfer. “They’re not Joyce Carol Oates-ing it.”

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Coming of Age in Chicago Live Lit: An Interview with Xavier Jordan
by Alba Machado

Xavier Jordan

PHOTO COURTESY OF HERE, CHICAGO

Sometime in February, I braved the cold and snow to see Xavier Jordan tell a story at the Jazz Showcase. It was a true story about someone who is a school teacher and also a horrible person. He reveals himself to be a horrible person through a series of escalating incidents, starting with kicking a student out of his class for sneezing. Now, four months later, that story continues to stay with me. Of course, it’s not surprising that a story told by one of Chicago’s live lit performers is memorable. What is surprising is that this storyteller is seventeen years old. You may know a number of teenagers who can spin a hell of a good yarn. I certainly do. But how many of them tell stories on stage alongside local literary celebrities? Xavier Jordan is one of a kind. The son of The Moth Grand Slam Champion Lily B, he has come of age at the epicenter of the live lit movement and has performed at a variety of the city’s reading series so many times that everyone has lost count. He’ll be leaving Chicago for college come summer’s end, returning to perform only during breaks. But he’s a tireless storyteller, so keep an eye on the calendar for show announcements or come out to the Printers Row Lit Fest this weekend, where he’s featured at a special installment of Stoop-Style Stories taking place at the Guild Literary Complex tent at Dearborn and Polk on Sunday at 11am. This week, he performed at The LitMash on Monday, graduated from high school on Tuesday, and got together with me for an interview at Fabcakes on Wednesday. We ate triple berry cheesecakes because, as he put it, “Why would anyone get raspberry cheesecake when you can get triple berry cheesecake?” Continue reading

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